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• 'Nazionalismo, orientalismo, alterità: la Spagna e la teoria romantica', Lenguaje y Textos (Universidade da Coruña, Spagna), vol. 4 (1993), pp. 9-20
• 'Spain and Byron's Construction of Place', Byron Journal, vol. 22 (1994), pp. 31-42
• '"I Recur from Fiction to Truth": Beppo e il mondo carnevalizzato', Textus: English Studies in Italy, vol. 7 (1994), pp. 113-32
• '"Renown'd, Romantic": Place as Text and Intertext in Byron's Childe Harold's Pilgrimage', in Romantic Geographies, ed. Colin Smethurst (Glasgow: University of Glasgow French and German Publications, 1996), pp. 157-70.
• 'Looking at the Other: Cultural Difference and the Traveller's Gaze in The Italian', Studies in the Novel, vol. 28, n. 1 (Spring 1996), pp. 12-37
• Byron and Spain: Itinerary in the Place of Writing (Lampeter, Lewiston: Edwin Mellen Press, 1996)
• 'Epic or Domestic: Felicia Hemans's Heroic Poetry and the Myth of the Victorian Poetess', Rivista di Studi Vittoriani (Università di Pescara), anno 2, nr 4 (luglio 1997), pp. 125-47
• 'Times Literary Supplement', in Encyclopedia of the Essay, ed. Tracy Chevalier (London: Fitzroy Dearborne, 1997), pp. 844-6
• '"The True Essence of Romanticism": Romantic Theories of Spain and the Question of Spanish Romanticism', Tesserae (University of Cardiff), vol. 3, nr 2 (December 1997), pp. 127-45
• 'The Exotic Politics of the Domestic: The Alhambra as Symbolic Place in British Romantic Poetry', Comparative Literature Studies, vol. 34 (1997), pp. 197-225
• '"O My Mother Spain!": The Peninsular War, Family Matters, and the Practice of Romantic Nation-Writing', English Literary History (Johns Hopkins University), vol. 65 (1998), pp. 363-93
• 'Matrimonial Politics: Two References to Marie Louise of Austria in Byron's Poetry', Byron Journal, vol. 26 (1998), pp. 112-15
• 'Private and Public in Women's Romantic Poetry: Spaces, Gender and Genre in Mary Mitford's Blanch', Women's Writing: The Early Modern Period, vol. 5, n. 3 (1998), pp. 405-19
• Lee, Sophia. Almeyda; Queen of Granada. With an Introduction by Angela Wright. British Women Playwrights around 1800. 15 July 1999 [5 March 2003] http://www.etang.umontreal.ca/bwp1800/plays/lee_queen/index.html
• 'Nationalist Texts and Counter-Texts: Southey's Roderick and the Dissensions of the Annotated Romance', Nineteenth-Century Literature, vol. 53 (1999), pp. 421-51
• British Romantic Translations of the "Romance de Alhambra" and "Moro Alcayde", 1775-1818', Bulletin of Hispanic Studies, vol. 76, nr 1 (1999), pp. 35-56
• 'Romantic Devils, Gentlemen and Dandies: Rethinking British Romantic Generations', in Poesia e memoria poetica: Scritti in onore di Grazia Caliumi, a cura di Giovanna Silvani e Bruno Zucchelli (Parma: Università di Parma, 1999), pp. 253-71
• 'The Dangers of Over-Refinement: The Language of Luxury in Romantic Poetry by Women, 1793-1811', Studies in Romanticism 38 (1999), pp. 641-72
• The Castle Spectre by Matthew G. Lewis. London ed., printed for J. Bell, No.148, Oxford-Street M.DCC.XCVIII. last rev. 16 February 2000 [1 April 2003] (http://www.unipr.it/~dsaglia/Lewis/CastleProsp.html)
• Poetic Castles in Spain: British Romanticism and Figurations of Iberia, Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft (Amsterdam, Atlanta: Rodopi, 2000)
• 'War Romances, Historical Analogies and Coleridge's Letters on the Spaniards', in Romantic War: Studies in Culture and Conflict 1789-1815, ed. Philip Shaw (Aldershot: Scolar Press, 2000), pp. 138-60
• "Sontuose epidemie: Mary Wollstonecraft ed il millenarismo commerciale in The Last Man di Mary Shelley" in Mary Versus Mary, a cura di Lilla Maria Crisafulli e Giovanna Silvani (Napoli: Liguori 2001), pp. 89 -113.
• 'Tirso y la literatura inglesa: modalidades de la apropiación del siglo XVII al XIX', in Tirso de Molina: textos e intertextos, eds Laura Dolfi y Eva Galar (Universidad de Navarra: Instituto de Estudios Tirsianos, 2001), pp. 327-50
• William Beckford's "Sparks of Orientalism" and the material-discursive orient of British Romanticism', Textual Practice 16 (2002), pp. 75-92
• 'Translation and Cultural Appropriation: Dante, Paolo and Francesca in British Romanticism', Quaderns: Revista de Traducció 7 (2002), pp. 95-119
• 'Hispanism in The New Monthly Magazine, 1821-1825', Notes and Queries 247 (2002), pp. 49-55
• I Discorsi dell'Esotico, L'oriente nel romanticismo britannico (Napoli: Liguori 2002)
• 'The Moors Last Sigh: Spanish-Moorish Exoticism and the Gender of History', in The Journal of English Studies 3 (2001-2002), pp. 193-215
• 'Romantic Heterographies: Travel Writing and Writing the Self', in Marble Wilderness: motivi e relazioni di viaggio di inglesi in Italia, a cura di Mauro Pala (Cagliari: CUEC, 2002), pp. 15-40
• 'Tracce e conflitti di genere: le modalità della conclusione nella poesia narrativa femminile dell'epoca romantica', in Le poetesse romantiche inglesi: tra identità e genere, a cura di Lilla Maria Crisafulli e Cecilia Pietropoli (Roma: Carocci, 2002), pp. 145-64
• 'Consuming Egypt: Appropriation and the Cultural Modalities of Romantic Luxury', Nineteenth-Century Contexts 24 (2002), pp. 317-32
• 'Eccesso e decoro: Jane Austen e i consumi della società Regency', in Jane Austen: oggi e ieri, a cura di Beatrice Battaglia (Ravenna: Longo, 2002), pp. 141-52
• 'Romanticism and Cultural Geography', ed. Diego Saglia, special issue of: European Journal of English Studies vol. 6, nr. 2 (August 2002)
• ‘Harem Power: Narrative Structure and Sexual Politics in Thomas Moore’s Lalla Rookh’, La questione romantica, 12/13 (Primavera/Autunno 2002), pp. 77-88.
• Narrare/Rappresentare: incroci di segni fra immagine e parola, ed. Diego Saglia e Giovanna Silvani (Bologna: Clueb, 2003)
• ‘The Hybrid Sign: Depicting the Margin in David Dabydeen’s Turner’, in Narrare/Rappresentare: incroci di segni fra immagine e parola, ed. Diego Saglia e Giovanna Silvani (Bologna: Clueb, 2003), pp. 241-64
• ‘Interior Luxury and Poetic Narratives of Identity: From Tighe and Hunt to Keats and Tennyson’, Keats-Shelley Journal, vol. 52 (2003), pp. 130-65
• Saggi biografici, traduzioni, note, bibliografia per: Lucy Aikin, Anna Laetitia Barbauld, Mary Bryan, Felicia Dorothea Browne Hemans, Maria Jane Jewsbury Fletcher, Anna Maria Shipley Jones, Letitia Elizabeth Landon, Caroline Sheridan Norton, Amelia Alderson Opie, Emma Roberts, Mary Darby Robinson, in Antologia delle poetesse romantiche inglesi, ed. Lilla Maria Crisafulli, 2 voll. (Roma: Carocci, 2003)
• ‘Fra segno altro e scrittura nazionale: la descrizione e le contaminazioni orientali nel romanticismo inglese’, La torre di Babele: rivista di letteratura e linguistica, nr 1 (2003), pp. 85-94
• ‘L’ambiguità dell’appartenenza: le nazioni di Hanif Kureishi’, in Schermi della dispersione: cinema, storia e identità nazionale, a cura di G. Elisa Bussi e Patrick Leech (Torino: Lindau, 2003), pp. 147-64
• ‘Byron’s Italy and Italy’s Byron: Codes of Resistance and Early Risorgimento Literature’, Rivista di letterature moderne e comparate, 56 (2003), pp. 275-95.
• "Freedom’s Charter’d Air”: The Voices of Liberalism in Felicia Hemans’ The Vespers of Palermo”, Nineteenth-Century Literature, 58 (2003), pp. 326-67
• "J.M. Coetzee", in Multicultural Writers since 1945: An A-to-Z Guide, ed. Alba Amoia and Bettina L. Knapp (Westport: Greenwood Press, 2004), pp. 155-60
• Voci: "Berchet, Giovanni”, "Don Juan: Themes and Contexts”, "Repton, Humphry”, in Encyclopedia of the Romantic Era, 1760-1850, ed. Christopher John Murray, 2 vols (New York, London: Fitzroy Dearborn, 2004), vol. I, pp. 78-9, 284-5; vol. 2, pp. 938-39.
• "Telling Romantic Tales: History and Romantic-Period Icons in Contemporary British Poetry", English Language Notes, vol. 41, nr 4 (June 2004), pp. 27-50.
• Re-Drawing Austen. Picturesque Travels in Austenland, ed. Beatrice Battaglia and Diego Saglia (Napoli: Liguori, 2004).
• Beatrice Battaglia and Diego Saglia, "Introduction: Picturesque Maps of Austenland”, Re-Drawing Austen. Picturesque Travels in Austenland, (Napoli: Liguori, 2004), pp. 1-9.
• "‘Here We Are at Bath’: Jane Austen and the Cultural Geography of Vice”, in Re-Drawing Austen. Picturesque Travels in Austenland, ed. Beatrice Battaglia and Diego Saglia (Napoli: Liguori, 2004), pp. 137-62.
• "David Hare”, e "David Hare: La via permanente o la voie anglaise”, in L’Almanacco: il teatro del racconto, a cura di Gabriella Bosco e Giorgio Cerruti, 2005, pp. 336-44.
• "Mediterranean Unrest: 1820s Verse Tragedies and Revolutions in the South”, Romanticism 11 (2005), pp. 99-113.
• "Other Homes: Exoticism and Domesticity in Maria Jane Jewsbury’s Oceanides”, Women’s Writing 12 (2005), pp. 205-23.
• Il teatro della paura: scenari gotici del romanticismo europeo, a c. di Diego Saglia e Giovanna Silvani (Roma: Bulzoni, 2005)
• Diego Saglia e Giovanna Silvani, "Introduzione. ‘Mostruosi presagi, orride forme’: la scena europea fra orrore e terrore nell’epoca romantica”, in Il teatro della paura: scenari gotici del romanticismo europeo, a c. di Diego Saglia e Giovanna Silvani (Roma: Bulzoni, 2005), pp. 9-17.
• "Historical Tragedy, the Fate of Gothic drama, and Mary Russell Mitford’s Julian”, in Il teatro della paura: scenari gotici del romanticismo europeo, a c. di Diego Saglia e Giovanna Silvani (Roma: Bulzoni, 2005), pp. 165-78.
• "Appendice 2: "Adapting Lewis’s The Castle Spectre: Manuel José Quintana’s El Duque de Viseo”, in Il teatro della paura: scenari gotici del romanticismo europeo, a c. di Diego Saglia e Giovanna Silvani (Roma: Bulzoni, 2005), pp. 215-23.
• British Romanticism and Italian Literature: Translating, Reviewing, Rewriting, ed. Laura Bandiera and Diego Saglia, Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft (Amsterdam, New York: Rodopi, 2005).
• Laura Bandiera and Diego Saglia, "Introduction: ‘Home of the Arts! Land of the Lyre!’: Scholarly Approaches and Fictional Myths of Italian Culture in British Romanticism”, in British Romanticism and Italian Literature: Translating, Reviewing, Rewriting, ed. Laura Bandiera and Diego Saglia, Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft (Amsterdam, New York: Rodopi, 2005), pp. 7-24.
• "‘Freedom alone is wanting’: British Views of Contemporary Italian Drama, 1820-1830”, in British Romanticism and Italian Literature: Translating, Reviewing, Rewriting, ed. Laura Bandiera and Diego Saglia, Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft (Amsterdam, New York: Rodopi, 2005), pp. 237-54. (and Valérie Cossy), "Translations”, in Jane Austen in Context (The Cambridge Edition of the Works of Jane Austen ed. Janet Todd (Cambridge: Cambridge University Press, 2005), pp. 169-81.
• "The Aesthetics of the Present: Commerce, Empire and Technology in Late Eighteenth-Century Women’s Poetry", Textus 18 (2005), pp. 205-220.
• "Orientalism", in A Companion to European Romanticism, ed. Michael Ferber (Oxford: Blackwell, 2005), pp. 467-85.
• "The Aesthetics of the Present: Commerce, Empire and Technology in Late Eighteenth-Century Women’s Poetry", Textus 18 (2005), pp. 205-220.
• "‘Womanhood summoned unto conflicts’ in the Historical Tragedies of Felicia Hemans and Mary Russell Mitford", La questione romantica (Università di Bologna), 14 (Primavera 2003), pp. 95-109. "
• From Gothic Italy to Italy as Gothic Archive: Italian Narratives and the Late Romantic Metrical Tale", Gothic Studies 8.1 (May 2006), pp. 73-90
• "‘The illegitimate assistance of political allusion’: Politics and the Hybridization of Romantic Tragedy in the Drama of Richard Lalor Sheil", Theatre Journal 58.2 (May 2006), pp. 249-67.
• "‘The Talking Demon’: Liberty and Liberal Ideologies on the 1820s British Stage", Nineteenth-Century Contexts 28.4 (December 2006), pp. 347-77.
• "Imag(in)ing Iberia: Landscape Annuals and Multimedia Narratives of the Spanish Journey in British Romanticism", Journal of Iberian and Latin American Studies, 12.2-3 (August/December 2006), pp. 123-46.
• "Words and Things: Southey’s East and the Materiality of Oriental Discourse", in Robert Southey and the Contexts of English Romanticism, ed. Lynda Pratt (Aldershot and Burlington, VT: Ashgate, 2006), pp. 167-86.
• "Liberali, libertari e libertini: Dante e la dissidenza romantica", in D. Saglia et al., Dante e la cultura anglosassone (Milano:Unicopli, 2007), pp. 9-47.
• "Borderline Engagements: The Crusades in Romantic-Period Drama", in Romanticism’s Debatable Lands, ed. Claire Lamont and Michael Rossington (Basingstoke and London: Palgrave Macmillan, 2007), pp. 186-97.
• "‘A deeper and richer music’: The Poetics of Sound and Voice in Felicia Hemans’s 1820s Poetry", English Literary History, 74.2 (summer 2007), pp. 351-70.
• "Ending the Romance: Women Poets and the Romantic Verse Tale", in Romantic Women Poets: Genre and Gender, ed. Lilla Maria Crisafulli and Cecilia Pietropoli (Amsterdam, New York: Rodopi, 2007), pp. 153-67.
• "Locating Byron: Languages, Voices, and Displaced Utterances", Philological Quarterly 86.4 (Fall 2007), pp. 393-414
• "Spanish Stages: British Romantic Tragedy and the Theatrical Politics of Spain, 1808-1823", European Romantic Review 19.1 (January 2008), pp. 19-32.
• "‘This Village Wonder’: Charlotte Smith’s What is She? and the Ideological Comedy of Curiosity", in Charlotte Smith in British Romanticism, ed. Jacqueline Labbe (London: Pickering and Chatto, 2008), pp. 145-58.
• "’Let’s hear it for the boys’: calcio e identità maschile in Gran Bretagna da George Best a David Beckham", in Angeli e demoni in scarpe bullonate: I miti calcistici nella rielaborazione contemporanea, a c. di Gian Luigi de Rosa e Enrico Martines (Parma: MUP, 2008), pp. 229-48.
• "La profundización de la mirada: visiones de España en la poesía inglesa, 1808-1814", in El nacimiento de la España contemporánea, Congreso internacional Bicentenario de la Guerra de la Independencia, dirigido por Emilio de Diego García, Madrid, 7-9 de mayo 2008 (Madrid: Actas Editorial, 2008), pp. 512-30.
• "Luxury: Making Sense of Excess in Austen’s Narratives", in A Companion to Jane Austen, eds Claudia Johnson and Clara Tuite (Oxford: Wiley-Blackwell, 2009), pp. 355-65.
• "Lord Byron e la maschere della scrittura" (Roma: Carocci, 2009) - Video "Saglia legge Byron"
• "Commerce, Luxury, and Identity in Mary Robinson’s Memoirs", Studies in English Literature 1500-1900, 49.3 (Summer 2009), pp. 717-36
• "Eterotopie e parerga: Delimitazione del paesaggio nazionale in Emma di Jane Austen", La società degli individui, 35 (2009), pp. 137-42.
• "’Tis Greece: Byron’s (Un)Making of Romantic Hellenism and its European Reinventions", in Graecomania: Der europäische Philhellenismus, ed. Gilbert Hess, Elena Agazzi, Elisabeth Décultot (Berlin, New York: Walter de Gruyter, 2009), pp. 199-218 (Klassizistisch-romantische Kunst(t)räume. Imaginationen im Europa des 19. Jahrhunderts und ihr Beitrag zur kultureller Identitätsfindung. Band 1. ISBN: 978-3-11-019469-2)
• "Transforming Tragedy, Identity and Community", guest editors: Diego Saglia, Tilottama Rajan and Lilla Maria Crisafulli, Special Issue, European Romantic Review 20, n. 5, December 2009
• "Introduction: The Survival of Tragedy in European Romanticisms", in European Romantic Review, Special Issue: "Transforming Tragedy, Identity and Community", guest editors: Diego Saglia, Tilottama Rajan and Lilla Maria Crisafulli, 20, n. 5 (December 2009), pp. 567-79 e Lilla Maria Crisafulli, "Il Romanticismo: Introduzione", in Manuale di letteratura e cultura inglese, a cura di Lilla Maria Crisafulli e Keir Elam (Bologna: Bononia University Press, 2009), pp. 181-4.
• "Il romanzo. Dalla seconda guerra mondiale al XXI secolo"; "Esotismo e orientalismo"; "Crime Fiction. Dal gotico al postmoderno"; "Scrittura e gender", in Manuale di letteratura e cultura inglese, a cura di Lilla Maria Crisafulli e Keir Elam (Bologna: Bononia University Press, 2009), pp. 359-70, 519-28, 529-35, 559-66.
• (e Gabriella Imposti, a cura di), La questione romantica, nuova serie, numero su: “Ballads and Narrative Poetry”, 1.2 (dicembre 2009)
• “Translating Romances, Writing Spain: John Gibson Lockhart’s Ancient Spanish Ballads”, La questione romantica, nuova serie, numero su: “Ballads and Narrative Poetry”, 1.2 (dicembre 2009), pp. 67-81
• ‘When Mitford Met Baillie: Theatre, Sociability and the Networks of Women’s Romantic Drama’, in Women’s Romantic Theatre and Drama: History, Agency, and Performativity, ed. Lilla Maria Crisafulli and Keir Elam (Farnham and Burlington, VT: Ashgate, 2010), pp. 123-45.
• “The View from Torres Vedras: Southey’s Construction of Portugal between Historical Presence and Textual Invisibility”, in As Linhas de Torres Vedras (XII Encontro Turres Veteras) , coord. Carlos Guardado da Silva (Lisbon: Colibri, Universidade de Lisboa; Torres Vedras: Município, 2010), pp. 43-53.
• “A Visão de Torres Vedras: a formação de Portugal segundo Southey, entre presença histórica e invisibilidade textual”, in As Linhas de Torres Vedras (XII Encontro Turres Veteras), coord. Carlos Guardado da Silva (Lisbon: Colibri, Universidade de Lisboa; Torres Vedras: Município, 2010), pp. 55-69.
• “Iberian Translations: Writing Spain into British Culture, 1780-1830”, in Romanticism and the Anglo-Hispanic Imaginary, ed. Joselyn M. Almeyda (Amsterdam and New York: Rodopi, 2010), pp. 25-51 (ISBN: 978-90-420-3032-9)
• “Touching Byron: Masculinity and the Celebrity Body in the Romantic Period”, in Performing Masculinity, ed. Rainer Emig and Antony Rowland (Basingstoke, New York: Palgrave Macmillan, 2010), pp. 13-27 (ISBN: 978-0-230-57798-5)
• “Everything is phallic-shaped: corpi com/e cose in Venus and Tannhäuser di Aubrey Beardsley”, in Verba tremula: letteratura, erotismo, pornografia, a c. di Nicola Catelli, Giulio Iacoli e Paolo Rinoldi (Bologna: BUP, 2010), pp. 185-200.
• “National Internationalism: Women’s Writing and European Literature, 1800-30”, in The History of British Women’s Writing, 1750-1830, ed. Jacqueline M. Labbe (Basingstoke, New York: Palgrave Macmillan, 2010), pp. 268-87.
• Lilla Maria Crisafulli, Tilottama Rajan and Diego Saglia (eds), Transforming Tragedy, Identity, and Community (London and New York: Routledge, 2011) ISBN: 978-0-415-61316-3
• “Part I: Introduction: The Survival of Tragedy in European Romanticisms”, in Lilla Maria Crisafulli, Tilottama Rajan and Diego Saglia (eds), Transforming Tragedy, Identity, and Community (London and New York: Routledge, 2011), pp. 1-13
• “A Siege, a Dog and Too Many Women: Refiguring the Epic in Roderick, the Last of the Goths”, Romanticism 17.1 (2011), pp. 52-62 - ISSN: DOI: 10.3366/rom.2011.0006
• Byron e il segno plurale: tracce del sé, percorsi di scrittura, a cura di Diego Saglia (Bologna: BUP, 2011) ISBN: 978-88-7395-539-9
• “Introduzione: Il dilemma del sistema. Byron e la scrittura poetica tra azione e riflessione teorica”, in Byron e il segno plurale: tracce del sé, percorsi di scrittura, a cura di Diego Saglia (Bologna: BUP, 2011), pp. 13-40.
• Hemans’s Record of Dante: ‘The Maremma’ and the Intertextual Poetics of Plenitude”, in . Frederick Burwick and Paul Douglass (eds), Dante and Italy in British Romanticism (New York: Palgrave Macmillan, 2011), pp. 117-31, ISBN:.9780230114487
• De claris mulieribus: figure e storie femminili nella tradizione europea. Scritti in onore di Giovanna Silvani, a c. di Laura Bandiera e Diego Saglia (Parma: MUP, 2011) (ISBN: 978-88-7847-369-0)
• “Gentle fortitude: trionfi femminili e riflessioni metapoetiche in Records of Woman di Felicia Hemans”, in De claris mulieribus: figure e storie femminili nella tradizione europea. Scritti in onore di Giovanna Silvani, a c. di Laura Bandiera e Diego Saglia (Parma: MUP, 2011), pp. 231-47 (ISBN: 978-88-7847-369-0)
• “Nationalizing the Renaissance: Cultural Identity and the Foreign in Hazlitt’s Lectures on the Age of Elizabeth”, Textus: English Studies in Italy 24 (2011), pp. 15-36.
• Luxury and Luxuries”, in Encyclopedia of Consumer Culture, ed. Dale Southerton, 3 vols (London: Sage, 2011), vol. 2, pp. 873-77 (ISBN: 9780872896017).
• “Classical Roman Drama” (pp. 258-67), “Hemans, Felicia, Drama” (pp. 569-73), “Knowles, James Sheridan” (pp. 731-4), “Sheil, Richard Lalor” (pp. 1213-16), “Translations of Foreign Drama” (pp. 1439-47), in The Encyclopedia of Romantic Literature, gen. ed. Frederick Burwick, assistant eds Nancy M. Goslee and Diane L. Hoeveler, 3 vols (Malden, Oxford: Wiley-Blackwell, 2012) (ISBN: 978-1-4051-8810-4).
• Dante and British Romantic Women Writers: Writing the Nation, Defining National Culture”, in Dante in the Long Nineteenth Century, ed. Aida Audeh and Nick Havely (Oxford, New York: Oxford University Press, 2012), pp. 184-203 (ISBN: 978-0-19-958462-8).
• ‘“I almost dread to tell you”: Gothic Melodrama and the Aesthetic of Silence in Thomas Holcroft’s A Tale of Mystery’, Gothic Studies (special issue on ‘Eighteenth-Century Gothic’, ed. Angela Wright) 14 (2012), pp. 93-106. (ISSN: 1362-7937)
• Roderick, the Last of the Goths, vol. 2 in Robert Southey: Later Poetical Works 1811-38, gen. eds Timothy Fulford and Lynda Pratt, 4 vols (London: Pickering and Chatto, 2012). (ISBN:  9781851969593)
• ‘Traduction, adaptation et révision du langage poétique au cours du Romantisme britannique’, in Poétique et traduction, éd. Franck Miroux et Bénédicte Buron-Brun, préf. Jean-René Ladmiral (Paris: Presses Universitaires de Sainte Gemme, 2012), pp. 79-101. (ISBN: 9791091467179)
• ‘Identità nazionale e alterità in scena: mori, spagnoli e inglesi in Remorse di Samuel Taylor Coleridge’, in Teatro romantico europeo e identità nazionale, a cura di Lilla Maria Crisafulli e Anna Maria Sportelli (Napoli: Liguori, 2012), pp. 101-10. (ISBN: 9788820755973)
• ‘English verdure, English culture: paesaggio e identità nazionale nel romanticismo inglese, 1790-1830’, in Discipline del paesaggio: un laboratorio per le scienze umane, a cura di Giulio Iacoli (Milano, Udine: Mimesis, 2012), pp. 123-44. (ISBN: 9788857514239)
• ‘Modes of Transit: Cultural Translation, Appropriation, and Intercultural Transfers’ in Bridging Cultures: Intercultural Mediation in Literature, Linguistics and the Arts, ed. Ciara Hogan, Nadine Rentel, and Stephanie Schwerter (Stuttgart: idem Verlag, 2012), pp. 93-112. (ISBN: 978-3-8382-0352-2)
• ‘Robert Southey’s Chronicle of the Cid: Spain as a Textual Archive and an Intervention Zone’, Cuadernos de Ilustración y Romanticismo 18 (2012). Online: http://revistas.uca.es/index.php/cir/article/view/1784. ISSN: 2173-0687.
• ‘Transferts lyriques: Traductions et translations de la poésie catalano-provençale dans le romantisme anglais’, in Lyrik Übersetzung zwischen imitatio und poetischem Transfer: Sprachen, Räumen, Medien / La traduction de la poésie entre imitatio et transfert poétique: langues, espaces, médias, Hrsg. Carolin Fischer und Beatrice Nickel (Tübingen: Stauffenburg, 2012), pp. 59-73 (ISBN: 9783860574959)

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Ultimo agg.: gennaio 2013